- Тype: Semi-modular
- Sound Engine: Analog
- Number of Keys: 37
- Keyboard Type: Mini-keys, Synth Action
- Polyphony: 1
Korg MS-20 Synthesizer
The Korg MS-20 mini is a faithful 86% recreation of the legendary 1978 monophonic analog synthesizer, rebuilt by the original engineers with the same circuitry, dual-oscillator voice architecture, and iconic self-oscillating filters. Its semi-modular patch bay, External Signal Processor (ESP), and 37-note mini keyboard deliver hands-on sound design in a compact 4.8 kg chassis.
- True analog signal path with 2VCO / 2VCF / 2VCA / 2EG / 1LFO architecture provides the foundation for thick, characterful basses, leads, and percussion.
- Self-oscillating high-pass and low-pass filters with distinctive distortion offer the same circuit that powered the original production.
- Semi-modular patch bay with 10 included patch cables plus an External Signal Processor for processing guitar, vocals, or any audio source.
- MIDI IN and USB-MIDI connectivity for sequencing from a DAW, plus a 1/8" headphone output and stereo line out for any studio or stage rig.
Korg MS-20 mini: The 1978 Analog Legend Reborn at 86% Scale
The Korg MS-20 mini is a compact monophonic analog synthesizer that faithfully reproduces the circuitry of the original MS-20, first introduced in 1978. Overseen by the original engineers, this reissue preserves the thick voice and iconic filter behavior that made the unit a studio staple. The body has been shrunk to 86% of the original size. This instrument is the right choice for musicians who want authentic analog tone in a portable format.
What Makes This Synthesizer Unique
The self-oscillating high-pass and low-pass filters carry the distinctive distortion of the early MS-20 production run, the circuit Korg's engineers chose for its more radical sound. The External Signal Processor (ESP) lets the synth act on outside audio: feed in an electric guitar and it becomes a guitar synthesizer. You will find that the semi-modular patch bay opens up signal routing beyond the front panel, especially with the 10 included mini-jack patch cables.
Two Oscillators, Two Filters, Two Envelopes
The voice architecture keeps the original 2VCO / 2VCA / 2VCF / 2EG / 1LFO structure intact.
- VCO 1 waveforms provide four modes for raw tone generation including Triangle, Sawtooth, PW-Square, and White Noise.
- VCO 2 Waveforms: Sawtooth, Square, Pulse, Ring Modulator — metallic textures and cross-modulation
- LFO Frequency Range: 0.1 Hz – 20 Hz — slow sweeps down to audio-rate modulation
Filters and Keyboard — Where the Personality Lives
Both filters sweep from 50 Hz to 15,000 Hz with peak resonance that pushes into self-oscillation.
- Polyphony: 1 voice (monophonic) — one note at a time, classic lead and bass behavior
- Keyboard: 37 mini-keys, Synth Action — compact footprint with dedicated mini keybed
- Control Wheel: Center-click pitch and modulation — expressive performance control
Patching, MIDI, and Build
A 5-pin MIDI IN jack receives note messages, while a USB Type B port handles USB-MIDI in and out. The patch bay uses 1/8" (3.5 mm) mini-jacks instead of the original 1/4" plugs.
- Dimensions: 493 × 257 × 208 mm — 86% of the original MS-20 footprint
- Weight: 4.8 kg — portable enough for live use, stable on a desk
- Power Supply: DC 9V / 1.7A, 9 W consumption — included AC adaptor
Ideal for Sound Designers, Producers, and Analog Enthusiasts
The MS-20 mini is the right choice for producers, sound designers, and electronic musicians who want hands-on analog sound shaping without committing to a full-sized modular system. Its semi-modular patch bay makes it an excellent teaching tool for students learning subtractive synthesis, while its aggressive filter character suits industrial, techno, and experimental electronic styles. Guitarists will appreciate the External Signal Processor, which turns the synth into a guitar processor with no extra modules required.
Legacy of the MS-20
Korg was founded in 1962 and has been at the forefront of analog synthesizer design for decades. The original MS-20, launched in 1978, became one of the most coveted monosynths of its era, prized for its thick sound and powerful filters. Over 300,000 musicians have experienced MS-20 sounds through the original hardware and the iMS-20 iPad app.
Number of Keys: 37
This instrument has 37 keys, equivalent to 3 octaves, providing a wide range of tones for a variety of musical applications.
Keyboard Type
- Mini-keys
- Synth Action
Polyphony: 1
This instrument is monophonic, meaning it plays only one note, which cannot be combined simultaneously with another.
LFO: Yes
An LFO, or low frequency oscillator, brings electronic sound to life. It adds movement and interest to synthetic sounds and effects, playing an important role in both subtle synthesis and bold sound design. However, you won't hear the LFO itself because it acts as a modulator. This means that it does not directly affect the audio signal, but adjusts other parameters such as oscillator pitch and filter clipping.
Envelope: Yes
The Envelope filter gives you precise control over the dynamics and shape of the sound. This filter provides greater flexibility in adjusting and customizing sound characteristics, enhancing the overall quality and expressiveness of the performance.
Oscillators: Yes
A powerful oscillator system allows users to create rich and variable sound textures. Oscillators can generate a variety of waveforms, including sine, square, triangle, and noise, allowing for creativity and experimentation.
Pitch Bend: Yes
The Pitch Bend allows smooth pitch changes, adding expressiveness to musical expression. Often used to create effects such as glissando or vibrato, this feature allows the player to make subtle or dramatic changes to the sound in real time. Pitch bend allows musicians to create smooth transitions between notes, increasing the dynamics and expressiveness of their performances.
Modulation: Yes
Modulation allows you to change different aspects of the sound in real time, opening up a wide range of creative possibilities. For example, it can affect the pitch of the sound, creating a vibrato effect, or it can change the amplitude of the signal, creating a tremolo effect. It can also adjust filtering to create smooth transitions between frequency bands and dynamic textures. Modulation can also be used to change the character of the sound depending on the time or intensity of playing, giving the sound a lively and moving character.
Headphone Output: Yes
The headphone output allows direct connection of headphones for private listening. This output provides a convenient way to enjoy the sound without disturbing others or ambient noise.
Inputs: Jack 6,3 mm TS
A universal connector used to connect various audio devices.
Outputs
- Headphone Jack 6,3 mm TRS
- Line Jack 6,3 mm TS
MIDI Interface: Yes
It supports MIDI, allowing you to connect and communicate with other MIDI-compatible devices. This feature extends control and integration into the larger music environment, increasing flexibility and creativity in music creation.
Тype
Semi-modular
Aftertouch
LFO
Envelope
Yes
Oscillators
Modulation
Arpeggiator
Effect Types
MIDI Interface
Bluetooth
Sound Engine
Number of Keys
Keyboard Type
Mini-keys, Synth Action
Key Size
Mini
Polyphony
Pitch Bend
Yes
Storage Medium
Colour
Headphone Output
Inputs
Pedal Inputs
USB MIDI
USB to Device
USB to Host
Filter
Yes
Sequencer
No
UK/EU Power supply included
Width (cm)
49.3
Height (cm)
25.7
Depth (cm)
20.8
Weight
4,8 kg
Net Weight (kg)
4.8
Made in
China
Documents
Instructions for use
Safety instructions
Please refer to the user manual for the specific safety instructions for this product.
