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Fully functional, hardly used product in a very good condition. It has some signs of casual wear. The product was displayed in our store for testing purposes and was thoroughly inspected by our experts afterwards. Warranty of 24 months applies. The original packaging might be included.
The Epiphone Riviera, one of Epiphone’s original, most enduring classics makes a comeback! First introduced in the early ‘60s, the Epiphone Riviera’s semi-hollow design has been a favorite of players from all genres and generations including blues greats Robben Ford and Otis Rush, Lou Reed of the Velvet Underground, and The Strokes’ Nick...
Fully functional, hardly used product in a very good condition. It has some signs of casual wear. The product was displayed in our store for testing purposes and was thoroughly inspected by our experts afterwards. Warranty of 24 months applies. The original packaging might be included.
Photos of the damage
The Epiphone Riviera, one of Epiphone’s original, most enduring classics makes a comeback! First introduced in the early ‘60s, the Epiphone Riviera’s semi-hollow design has been a favorite of players from all genres and generations including blues greats Robben Ford and Otis Rush, Lou Reed of the Velvet Underground, and The Strokes’ Nick Valensi, who have all found that the Riviera’s legendary ES™ body shape can produce great tones with any pickup variation. This Riviera features a layered maple top back and sides, a 3-layer pickguard with the classic metal Epiphone “E”, and comes equipped with Epiphone's LockTone™ Tune-O-Matic™ adjustable bridge and Frequensator tailpiece. Available in Royal Tan and Sparkling Burgundy full gloss finishes. Hardshell or EpiLite™ case sold separately.
A "miért lett megvéve ?", mert erősen nosztalgia.
Rengeteg fotót, videót megnéztem, hallgattam, meglehetősen jó megközelítése az eredetinek.
A gitár önmagában, akusztikusan rettentő hangos, meglepően hangos ! Van pár Gretsch, Ibanez, össze tudom hasonlítani. A kidolgozása két hibát leszámítva nagyon jó, egyik javított gyárilag, a másik szinte észrevehetetlen, mint a kettő finom ütés a lakkozáson.
A nyak nekem kissé "vaskos", ami inkább a kereksége miatt érezhető így, pár nap alatt megszokható. A fogólap Indiai babérfa, meglepően szép, és ha nem tudná az ember, hogy az, valami jó sötét rózsafának gondolná. A bundozás jó, nincsenek éles végek, persze nem custom shop, de ige jó, és tökéletes az intonáció. A híd a szokásos tragikuskinézetű Epi, működik, nincs hibája, de ronda mint a bűn.
A gitár hangját valószínűleg a sajátságos húrtartó, a "FREKVENSATOR" nagyon erősen befolyásolja, pozitív irányban. A kivitele kifogástalan, hibátlan krómozás, és polírozás. Egyszer egy ilyen hidat csinálhatna már az Epiphone ! A kulcsok minden túlegyszerű látszatuk ellenére nagyon jól működnek, nincs ugrás a núton, nem rángat a fogaskerék sem.
A hangja nagyon jazzgitáros !!! Elektromosan meg pláne, pedig a gyári húr nem egy csúcskategória ! A mini humbuckerek, mint a jó videók többségében, "fahangúak", kicsit "rekedtek", nincs bennük ( nyilván !), a normál méret "combossága", és nagyon hajaz egy kifejezett jazzgitárra megszólalásában.
A potméter nem serceg, nem szorul, egészen "egyben van" ez a gitár.
Összefoglalva nagyon jó, de nagyon másként szól, mint a hasonlók, valóban egyéniség.
The "why was it bought?" is because it's very nostalgic. I've looked at and listened to a lot of photos and videos, it's a pretty good approximation of the original. The guitar itself, acoustically, is terribly loud, surprisingly loud! I have a few Gretschs, Ibanezs, I can compare them. The workmanship is very good except for two flaws, one was repaired at the factory, the other is almost imperceptible, like two fine bumps on the varnish. The neck is a bit "thick" for me, which is more noticeable because of its roundness, so you can get used to it in a few days. The fingerboard is Indian laurel, surprisingly beautiful, and if you didn't know what it was, you would think it was some good dark rosewood. The binding is good, there are no sharp ends, of course it's not custom shop, but it's good, and the intonation is perfect. The bridge is the usual tragic-looking Epi, it works, has no flaws, but it's ugly as hell. The sound of the guitar is probably very strongly influenced by the unique tailpiece, the "FREKVENSATOR", in a positive direction. The design is impeccable, the chrome plating and polishing are flawless. Epiphone could make a bridge like this someday! Despite their overly simple appearance, the keys work very well, there is no skipping on the groove, the gear does not jerk either. The sound is very jazz guitar-like!!! Especially electrically, although the factory string is not a top category! The mini humbuckers, as in most good videos, are "woody", a little "stiff", they do not have (obviously!), the "thighness" of the normal size, and it really resembles a pronounced jazz guitar in its sound. The potentiometer does not squeak, does not get stuck, this guitar is completely "in one". In summary, it is very good, but it sounds very different from similar ones, it is truly individual.
The guitar is great. If you're looking for an affordable ES-335-ish semi, you look no further. Looks better than the photos.
Has that woody hollow tone not obtainable on a solid body. Center block does its job, so it doesn't howl with feedback when you play loud or with overdrive. Pickups feel like better quality. Clear, medium output, flat eq response (kinda like PAFs).
The fretwork is nice. Overall setup needs a bit of tweaking (saddle, action, neck curve, tuning) but that's common with new gear.
Balanced. Nicely sits on lap and doesn't lean forward when on strap.
Easy access to higher frets, not always found in hollow bodies.
There's one thing that's strange. Youtube reviews say that volume knobs work independently. In mine they don't - in middle position if you turn down either one the guitar goes silent.