Superlux E208 Studio Condenser Microphone
The Superlux E208 is a matched pair of small-diaphragm condenser microphones designed for studio recording and live capture of acoustic instruments. With a true cardioid polar pattern and a 20 Hz–20 kHz frequency response, this pencil-style pair delivers clean, transparent sound for XY, ORTF, and AB stereo setups. The set ships with foam windscreens, microphone clips, and thread adapters, ready to mount on standard mic stands straight from the box.
- Matched pair of 1/2" back-electret condenser capsules with cardioid polar pattern
- Wide 20 Hz–20 kHz frequency response for accurate acoustic instrument capture
- Maximum SPL of 135 dB and 121 dB dynamic range handle loud sources cleanly
- Low 14 dB equivalent noise floor and 80 dB signal-to-noise ratio for quiet, detailed recordings
- Includes two foam windscreens, two microphone clips, and two thread adapters
Matched Pair of Pencil Condensers for Studio and Stage
The Superlux E208 is a matched pair of small-diaphragm condenser microphones engineered for detailed stereo recording in the studio and on stage. Each capsule uses a 1/2" back-electret design with a cardioid polar pattern that rejects off-axis spill and ambient noise. A flat, extended 20 Hz–20 kHz frequency response reproduces the natural character of acoustic guitars, pianos, strings, woodwinds, choir, ambience, and drum overheads without coloration. The matched-pair construction ensures both capsules share virtually identical response curves, so stereo imaging stays stable in XY, ORTF, or AB configuration.
What Sets This Pair Apart in Its Class
Matched-pair calibration is the headline feature: both capsules are tuned to share consistent frequency response, which is what makes the E208 a true stereo tool rather than two loose microphones. The low self-noise circuit keeps the recording floor quiet enough for delicate sources like fingerstyle guitar, choir, and room ambience, while the high SPL handling of 135 dB means the same pair can ride above a drum kit without distortion. Compact 100 mm bodies and an 80 g weight make the mics disappear on camera and on crowded mic stands.
Cardioid Capsule for Focused, Low-Spill Capture
The cardioid polar pattern is the workhorse of stereo recording because it suppresses sound arriving from the rear and sides, letting engineers place the pair close to the source without picking up unwanted room reflections or stage bleed. Behind that pattern sits a 1/2" back-electret capsule small enough to capture transients accurately, which matters for percussive instruments like drum overheads, hammered dulcimer, or struck piano strings.
- Type: 1/2" back-electret condenser — small diaphragm for fast transient response
- Polar Pattern: Cardioid — focused front pickup with rear and side rejection
- Sensitivity rated at -36 ±2 dBV/Pa for clean output into standard preamps
Wide Frequency Range and High SPL Headroom
A 20 Hz–20 kHz frequency response covers the full audible spectrum, so nothing is rolled off at the extremes and the natural timbre of acoustic instruments comes through intact. The 135 dB maximum SPL means the capsules can sit close to loud sources — brass, drum kits, amplified cabinets — without breaking up, while the 121 dB dynamic range gives plenty of headroom between the quietest whisper and the loudest peak.
- Frequency Range: 20 Hz – 20 kHz — full-spectrum capture without rolled-off extremes
- Maximum SPL of 135 dB handles loud sources like drum overheads and brass without distortion
- Dynamic Range: 121 dB — wide headroom from quiet to loud passages
Phantom-Powered Pencil Design with Standard XLR Connection
The pair runs on standard 48 V phantom power from any mixer or audio interface, with no batteries or external PSU required. A 200 Ω output impedance pairs cleanly with the typical mic preamp input, and the XLR3M connector is the universal standard for professional audio gear. The 20 × 100 mm body and 80 g weight make each mic light enough to mount on a single stereo bar without tipping.
- Power: 48 V phantom — universal compatibility with mixers and interfaces
- Impedance: 200 Ω — standard for professional mic preamps
- XLR3M balanced connector for long cable runs without noise pickup
- Compact Ø20 × 100 mm pencil body fits between drum hardware and crowded mic stands
- Lightweight at just 80 g per mic — easy on stereo bars and small stands
Engineers, Project Studios, and Live Recordists
The Superlux E208 is the right choice for home recordists, project-studio engineers, and live sound technicians who need a matched stereo pair for acoustic capture without paying flagship prices. It suits singer-songwriters tracking acoustic guitar and voice, classical and jazz engineers recording piano and strings, and live recordists capturing choir, drum overheads, and room ambience. The included foam windscreens, microphone clips, and thread adapters mean the pair is ready to mount on standard stands straight out of the box.
Superlux: Three Decades of Microphone Manufacturing
Superlux has been designing and manufacturing microphones for over thirty years, building a reputation among project-studio engineers and live sound professionals for delivering measured performance at accessible prices. The E208 reflects that philosophy: a matched pair of small-diaphragm condensers with the specifications and consistency needed for serious stereo recording, presented in a compact, stage-friendly package. The brand's stated mission — "natural sound reproduction" — is visible in the flat response curve and low-noise circuit.
Тype
Suitable for
Acustic Guitar, Choir, Drums, Orchestra, Piano, String Instruments, Woodwind Instrument
Capsule Type
Frequency Range
Impedance
Signal to Noise Ratio
80 dB
Impedance (Ohm)
200
Colour
Black
Package Contents
Microphone Clip (2 x), Foam (2 x), Thread Mount Adapter (2 x)
Battery Operation
No
Power Supply
48V Phantom
Made in
China
Documents
Instructions for use
Manufacturer information
Safety instructions
Please refer to the user manual for the specific safety instructions for this product.
