Concert Flutes

You should choose a concert flute for an advanced player according to the response of the headjoint, precision of the mechanism and configuration required by the repertoire. Silver content, open-hole keys and a B footjoint are meaningful only in conjunction with a specific technique. You need to test the instrument across the full dynamic range and with your own embouchure.

The headjoint can change the instrument more significantly than the body

The shape of the embouchure hole, chimney and edge cut affect resistance and tone colour. Two headjoints made from the same material may not respond in the same way. During the trial, use the same body and play long notes, articulation and soft attacks.

Open-hole keys must sit correctly under your fingers

An inline G requires a different left-hand position from an offset G. The keys should close without additional pressure, and the mechanism must have no play. You can find general differences between student models among flutes.

A B footjoint adds a note and weight

Low B is used in specific repertoire, and the footjoint may change the instrument’s balance. The gizmo key makes some high notes easier, but it cannot resolve intonation by itself. Choose the configuration according to the parts you play.

The piccolo remains a separate instrument

An orchestral flautist often also needs a piccolo, but you need to test its embouchure and intonation separately. One expensive flute cannot replace the high part or its specific tone colour.

Service availability is part of the purchase

A professional mechanism needs regular adjustment, pads and specialist parts. Check the availability of warranty and post-warranty servicing as well as the carrying case. An instrument with a delicate mechanism must not press against the keys inside the case.

Compare a concert flute using your own headjoint and repertoire, and decide according to response, ergonomics and reliable servicing.