Albania
Argentina
Australia
Austria
Belgium
Bosnia and Herzegovina
Brazil
Bulgaria
Canada
Chile
Colombia
Croatia
Czech Republic
Denmark
Estonia
Finland
France
Germany
Greece
Hungary
Ireland
Italy
Latvia
Lithuania
Luxembourg
Mexico
Moldova
Montenegro
Netherlands
New Zealand
North Macedonia
Norway
Philippines
Poland
Portugal
Romania
Serbia
Slovakia
Slovenia
South Africa
Spain
Sweden
Switzerland
Turkey
Ukraine
United Kingdom
United States of America
- Number of Channels: 2
- Number of Preamps: 1
- Sample Rate: 192 kHz, 24 bit
- Bit Depth: 24 bit
- Inputs: Jack 6,3 mm TS, XLR
- Outputs: Headphone Jack 6,3mm TRS, Jack 6,3 mm TRS
Focusrite Scarlett Solo 4th Gen USB Audio Interface
The Focusrite SSOLO-4G is a compact 2-in/2-out USB audio interface built for solo songwriters needing one pristine microphone channel and one Hi-Z instrument input on the desktop. Run at 24-bit / 192 kHz with RedNet-derived converters, you get 120 dB of dynamic range and flagship conversion in a bus-powered unit. Air Mode with Presence and Harmonic Drive brings console-like character to vocals and guitar, and the included Hitmaker Expansion software covers your projects from recording to mastering.
- 2-in/2-out USB-C desktop interface with 1 mic preamp and 1 Hi-Z instrument input
- 24-bit / 192 kHz conversion with 120 dB dynamic range on the line outputs
- Air Mode with Presence and Harmonic Drive for console-style vocal and guitar tone
- Bus-powered via USB-C at 900 mA, with Loopback for capturing system audio into the DAW
Focusrite SSOLO-4G USB Audio Interface for Solo Songwriters
With the Focusrite SSOLO-4G, solo songwriters get a 2-in/2-out USB audio interface offering one mic channel and a dedicated instrument input. The RedNet conversion path is shared with Focusrite's higher-end series, and the device draws power through USB-C. Producers will appreciate the bundled Hitmaker Expansion for recording through mastering. Compact and desktop-friendly, this model is a solid fit for singer-songwriters wanting professional-level conversion.
RedNet Conversion and Dual Air Modes
Experience 120 dB dynamic range, thanks to the RedNet-derived AD/DA path. Two Air Mode flavors — Presence for added high-end detail, and Harmonic Drive for midrange saturation — shape your sound. Gain Halos light up in green or red to provide instant visual feedback.
24-bit / 192 kHz Conversion for High-Resolution Recording
How much detail makes it to your DAW depends on conversion quality. This model supports up to 24-bit / 192 kHz, while the mic preamp achieves 113 dB dynamic range and -127 dBu EIN.
- Sample rates from 44.1 kHz to 192 kHz cover everything from CD-quality to high-resolution audio
- A/D Resolution: 24-bit / 192 kHz — full-range audio with mixing headroom
- Mic Preamp Dynamic Range: 113 dB (A-weighted) — clean capture of quiet and loud sources
One Mic Preamp, One Hi-Z Instrument Input
Engineers can pair the 4th-generation preamp with a dedicated Hi-Z instrument input. 48 V phantom power supports condenser microphones, and a 57 dB gain range handles demanding dynamics.
- Microphone Preamps: 1 — single channel of Focusrite's 4th-generation preamp design
- Phantom Power: +48 V — supports condenser microphones
- Hi-Z instrument input with 1 MΩ impedance preserves passive guitar pickup tone
Balanced Outputs, Custom Headphone Amp, USB-C Bus Power
Studio monitors can be fed by two balanced 6.3 mm outputs, while a custom headphone amplifier manages tracking. Power comes exclusively through USB-C, and Loopback captures system audio into the DAW.
- Line Outputs: 2 × balanced 6.3 mm TRS — feed studio monitors with 120 dB dynamic range
- Custom headphone amplifier with independent level control handles tracking
- Loopback: Yes — captures system audio into the DAW
Number of Channels: 2
This product has two channels, giving you the flexibility to connect two audio sources at once. This configuration allows you to combine different instruments and effects, enriching your sonic expression and giving you more variability.
Number of Preamps: 1
Equipped with a high-quality preamplifier that delivers clear, detailed sound from a single input channel. Ideal for smaller recording applications where you need to capture sound with minimal noise and maximum quality.
Phantom Power: Yes
Phantom power provides the necessary voltage for condenser microphones that require an external power source to operate properly. This power supply is built directly into the microphone input, eliminating the need for additional power supplies.
Sample Rate
- 192 kHz
- 24 bit
Bit Depth: 24 bit
The 24-bit depth provides significantly more dynamic range and detail than standard 16-bit recording. With 24-bit depth, you can capture finer details and wider dynamic range, perfect for professional recording, mastering, and applications where accuracy and sound quality are critical.
Inputs
- XLR
- Jack 6,3 mm TS
Outputs
- Jack 6,3 mm TRS
- Headphone Jack 6,3mm TRS
Headphone Output: Yes
The headphone output allows direct connection of headphones for private listening. This output provides a convenient way to enjoy the sound without disturbing others or ambient noise.
DA Conversion: Yes
DA conversion allows digital signals to be converted to analog signals with high accuracy. This process ensures that digital audio is reproduced with minimal distortion, preserving all the fine details and dynamics of the original sound. Thanks to high-quality DA conversion, the sound is clear, rich, and true to the original when played through speakers or headphones.
AD Conversion: Yes
High-quality AD conversion ensures that every detail and dynamic range of analog audio is preserved when converted to digital form, ideal for professional recording and production. This allows analog sound sources such as microphones and instruments to be accurately recorded in digital systems.
Number of Channels
Number of Preamps
Phantom Power
Word Clock
ADAT
Interface
MIDI Interface
Software
Number of Microphone/Line In Input Ports
2
Number of Outputs
3
Controls
Instrument, Air, Phantom, Main Level, Input Gain (2 x), Direct, Headphone Volume
DA Conversion
AD Conversion
Bit Depth
24 bit
USB version
2.0
AES/EBU
MADI
Rackmountable
S/PDIF
Ethernet
Analogue Inputs
Inputs
Instrument Inputs
Microphone Input
Analogue Outputs
Headphone Output
Optical Out
No
Package Contents
USB Cable
Length (cm)
9.6
Width (cm)
14.3
Height (cm)
11.5
Weight
0,38 kg
All reviews come from verified customers who have purchased a product from us in the past.
AI summary of reviews
Based on the number of reviews: 110
Strengths
- Sound Quality: Customers consistently praise the device for its clear, loud, and high-quality sound, noting a significant improvement over previous equipment.
- Ease of Use: The interface is described as very easy to set up and operate, with many users appreciating its plug-and-play functionality.
- Compact Size: Its small and practical design is a recurring positive, making it convenient for various setups.
- Value for Money: Many customers feel that the product offers excellent value for its price, especially given its performance.
- Low Latency: The device is noted for its low latency, which is crucial for recording instruments like guitar and bass.
Weaknesses
- Cable Compatibility: Some users experienced issues with non-supplied USB-C cables not providing enough power, and others noted the need for specific cable terminations for speakers.
- Windows 11 Recognition: A few customers reported initial difficulty getting the device recognized by Windows 11, though it worked perfectly afterward.
- Software Package Setup: The included software package, while a plus, requires downloading from the internet and involves a somewhat complicated confirmation process.
What customers repeat
Verdict
Documents
Instructions for use
Manufacturer information
Safety instructions
Please refer to the user manual for the specific safety instructions for this product.
