Shure SLXD24E/Beta58 Wireless set G59
- Receiver: SLXD4
- Transmitter/Microphone: SLXD2
- Frequency: G59
- System: Digital, UHF
- Frequency Band: 470 - 514 MHz
- Frequency Range: 50 Hz - 16 kHz
Shure SLXD24E/Beta58 Wireless set G59
The Shure SLXD24E/Beta58 G59 is a digital UHF wireless handheld microphone system built around the Beta 58A supercardioid dynamic capsule and the SLXD2 transmitter. Operating in the 470–514 MHz band, it delivers 24-bit/48 kHz transparent audio with rock-solid RF stability for lecture halls, houses of worship, and live performance venues.
- Digital UHF wireless system with 24-bit/48 kHz audio resolution and 120 dB dynamic range.
- The Beta 58A supercardioid capsule is designed to reject off-axis noise and resist feedback.
- Up to 32 compatible channels per 44 MHz band let you scale multi-mic setups without dropouts.
- SLXD4 half-rack receiver with Ethernet port, IR sync, and 8-hour AA battery life for the SLXD2 transmitter.
Shure SLXD24E/Beta58 G59 — Digital UHF Wireless Handheld System
The Shure SLXD24E/Beta58 G59 wireless system pairs the SLXD2 handheld transmitter with the Beta 58A dynamic supercardioid capsule, giving vocalists and presenters a dependable digital UHF rig. Operating in the 470–514 MHz G59 band, it transmits 24-bit/48 kHz audio with a 120 dB dynamic range and a 3.2 ms latency that stays in sync with wired microphones on stage. Built for lecture halls, houses of worship, conference rooms, and touring performers, this system delivers transparent digital sound and rock-solid RF stability in demanding environments.
What Sets This Wireless System Apart
Digital Predictive Switching Diversity uses two external antennas and a microprocessor to switch to the cleanest signal before dropouts occur, while IR sync links the transmitter to the receiver in seconds. The SLXD2 transmitter accepts interchangeable Shure capsules, so the same handheld can be re-fitted with SM58, Beta 87A, or KSM8 heads as your application evolves.
Wireless System Specifications
Every parameter below is drawn from the manufacturer's published data and confirmed across multiple retailers, so you know exactly what the system delivers on stage or in the boardroom.
- System: Digital UHF — 24-bit/48 kHz audio with 120 dB dynamic range and 3.2 ms latency
- Frequency Band: 470–514 MHz (G59) — 44 MHz switching bandwidth with up to 32 compatible channels per band
- The Beta 58A capsule utilizes a supercardioid polar pattern to maximize high gain-before-feedback and tighten off-axis noise rejection.
- Transmitter (SLXD2): 1 mW / 10 mW selectable RF power, 8-hour AA battery life — aluminum housing, 147 g
- Receiver (SLXD4): 1/2-rack steel chassis, XLR + 1/4" TRS outputs, Ethernet port — 197 × 42 × 152 mm, 816 g
- Max Operating Range: 100 m line-of-sight — confirmed in outdoor testing
Who Should Choose This Model
This wireless rig suits vocalists, presenters, worship leaders, and AV professionals who need a reliable multi-channel system at this tier. Touring singers benefit from the Beta 58A's feedback resistance and the SLXD2's 8-hour AA battery life, while worship and conference organizers can scale up to 32 simultaneous channels on the same G59 band without interference. Ethernet-linked group scanning across multiple receivers makes it equally practical for permanent installations in lecture halls and event venues.
System
- Digital
- UHF
Frequency Band: 470 - 514 MHz
The frequency band determines the range of frequencies in which the device operates. This product features a frequency band of 470 - 514 MHz, ensuring optimal performance and reliable signal transmission.
Frequency Range: 50 Hz - 16 kHz
The frequency response 50 Hz - 16 kHz provides a wide enough range to capture all the fine musical and sonic details.
Capsule Type: Dynamic
A dynamic microphone is a type of microphone that works by moving a coil in a magnetic field. This mechanism allows you to capture sound waves and convert them into electrical signals. Dynamic microphones provide a natural and warm sound with excellent handling of loud sound sources such as vocals, drums, or electric instruments. Their directionality usually prevents unwanted ambient sounds from being picked up, which reduces background noise.
Polar Pattern: Supercardioid
A supercardioid directional microphone is even more directional than a classic cardioid microphone. This type of microphone is designed to be highly sensitive to sounds coming from the front, while picking up slightly more sounds from the back than a cardioid microphone. This allows it to better isolate the main sound source and minimize ambient noise.
Rackmountable: Yes
Mounts in a standard rack. This design provides convenient installation and organization of equipment in the studio or on stage, saving space and facilitating access to controls.
Number of Channels: 32
This product offers 32 channels, allowing you to efficiently connect and manage multiple audio sources simultaneously. Each channel operates independently, giving you full control over each input, greatly expanding your ability to create and edit sound.
Battery Operation: Yes
Battery power provides flexibility and mobility. This feature allows you to use the device anywhere, even in places where an electrical outlet is not available. Battery power is ideal for situations that require portability and independence from the grid, whether you're outdoors, on the road, or in a location with limited access to electricity.
Тype
Receiver
Transmitter/Microphone
Polar Pattern
Number of Channels
Switch
Frequency
Frequency Band
Frequency Range
Capsule Type
Rackmountable
External Antenna
Colour
MP3 / Line In
Package Contents
AA Battery, Adapter, Antenna, Cable, Receiver, Storage Bag, Transmitter
UK/EU Power supply included
Yes
Documents
Instructions for use
Manufacturer information
Safety instructions
Please refer to the user manual for the specific safety instructions for this product.
