- Woofer: 10"
- Frequency Range: 20 Hz - 200 Hz
- Sound Pressure Level (SPL): 100 dB
Fluid Audio FC10S Studio Subwoofer
The Fluid Audio FC10S is a 10-inch powered studio subwoofer designed to extend the low-frequency response of nearfield monitors down to 20 Hz. Built around a 200 W Class-D amplifier and a composite paper woofer, it adds accurate, room-filling bass to project studios, home theaters, and gaming setups. The included bypass footswitch lets engineers A/B mixes with and without subwoofer support in real time.
- 10" composite paper cone with high-temperature voice coil and damped rubber surround for tight, controlled low end
- Variable low-pass crossover (50–200 Hz), variable phase (0–180°), and 80 Hz high-pass filter for clean integration with main monitors
- Switchable Flat and Punchy voicing modes to handle both reference monitoring and bass-heavy music production
- XLR, 1/4" TRS, and RCA inputs plus XLR and 1/4" outputs for flexible studio and home-entertainment wiring
Fluid Audio FC10S — 10" Powered Studio Subwoofer for Accurate Bass Extension
Engineered to deliver bass extension down to 20 Hz for mid-to-large rooms, this active 10-inch studio subwoofer pairs a 200 W Class-D amplifier with a single 10" composite paper cone. The result is the low-frequency foundation that nearfield monitors alone cannot reproduce. The FC10S is the right choice for recording and mixing engineers, producers, and gamers who need to hear — and feel — the full bottom end of their audio.
Bypass Footswitch, Angled Port, and Switchable Voicing
This model ships with a hardware bypass footswitch that mutes the sub on demand, so engineers can A/B a mix with and without bass extension in real time. A front-baffle bass-reflex port with an angled slot design combines direct-radiating output with floor loading for stronger low-end reach. A switchable Flat/Punchy voicing mode adds an 80 Hz, 5 dB boost for dance and bass-heavy material.
10" Composite Paper Woofer and Class-D Power
The driver and amplifier pairing defines how cleanly this sub reproduces low frequencies at monitoring levels.
- LF Driver: 10" composite paper cone with high-temperature voice coil and damped rubber surround
- Amplifier Power: 200 W Class-D with switching power supply for efficient, cool-running operation
- Max SPL: 100 dBA at one meter — adequate headroom for project and mid-sized rooms
Variable Crossover, Phase, and High-Pass Filter
Integration with main monitors depends on flexible crossover and phase controls.
- Frequency Range: 20 Hz – 200 Hz
- Variable Low-Pass Filter: 50 Hz – 200 Hz
- Variable Phase: 0°–180° (12-position switch)
- 80 Hz High-Pass Filter on satellite outputs, engaged via footswitch
Balanced I/O, Ground Lift, and MDF Cabinet
Wiring flexibility and solid enclosure construction matter when a sub sits under a desk or in a corner.
- Inputs: 2x XLR balanced, 2x 1/4" TRS balanced/unbalanced, 1x stereo RCA unbalanced
- Outputs: 2x XLR balanced, 2x 1/4" TRS balanced/unbalanced for full-range monitors
- Ground Lift Switch eliminates hum caused by problematic AC wiring
- Cabinet: Vinyl-laminated MDF with protective metal grille — 387 x 317 x 394 mm, 10.2 kg
Woofer: 10"
Thanks to 10" bass woofer, you will enjoy deep, rich and dynamic bass that adds a new dimension to your sound. This woofer is specially designed to offer clean and precise bass performance.
Frequency Range: 20 Hz - 200 Hz
The frequency response 20 Hz - 200 Hz provides a wide enough range to capture all the fine musical and sonic details.
Inputs
- RCA
- XLR
- 6,3mm Jack
Sound Pressure Level (SPL): 100 dB
High SPL levels up to 100 dB allow you to experience the sound as it was originally intended, with sufficient volume and dynamics.
Тype
Woofer
Tweeter
Power (Watt)
Frequency Range
Crossover Frequency
Sound Pressure Level (SPL)
Package Contents
Footswitch
Power Supply
240V
Width (cm)
38.7
Height (cm)
31.7
Depth (cm)
39.4
Weight
10,2 kg
Made in
China
Documents
Manufacturer information
Safety instructions
Please refer to the user manual for the specific safety instructions for this product.
